It was a pleasure to explore those links..thank you for sending them in
..its work i never woudl have located myself.. i'm particularly taken with
the Maori girl game design..
i tend to agree with a Paul Annear that every spot produces different
art -
what comes from windy Wellington will be different than what comes form
chilly Dunedin or balmy Auckland.. geography actually plays a big part
in
art production.. even despite the fact that its virtual art that lives in
the non geographically bound ether . it still must be a product of its
locale.
I just wrote an article in Artlink this month about the very same topic
of
localised networked art production, but concerning Australian and other
works showing at ISEA and Ars Electronica. i think perhaps what happens
is
that points of connection and similarity between global spaces emerges .
what is happening is that local space is becoming more and more important
in
its defining parameters. local space is at once unique but local can also
consist of specifically similar physical geographic and cultural nodal
points connected across the globe.
and types of work come from different locations ie in Australia video work
may come form Sydney , while games will come from Brisbane and Melbourne
etc.
thanks too Danny for sending in your Strategic Digital Arts Developments
in
Aotearoa New Zealand. i think is extremely important to see how work is
fostered in specific countries, I knwo Hong Kong is just thinking of
setting
up specific new medi funding , while Australia blindly dumps ours.
Its easy to see where instructions and individual drive make a difference,
however im wondering how major a role those who often remain invisible
in
this investigation take? Im referring to those non artists
involved..government and academic researchers , boards policy makers,
and
those with insight to make available funding to develop a community which
can foster emerging talent. i see nz actively doing this.
Melinda
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